Amahl and the Night Visitors
"Hawkersmith's voice is sweet-sounding and he interacts well with his adult colleagues. Among the adults, Gunlogson and Thomas are standouts. Gunlogson's rendition of the All That Gold aria is powerful as the mother wonders why her son shouldn't have the riches intended for the Christ child. Thomas is quite moving as he tenderly responds that the child they seek doesn't need the gold because 'on love alone He will build His kingdom.'"
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Falstaff
"Thomas's forthright vocalism (featuring wonderful top notes) and apt physique give him a leg up in this part, but he also captured the generous, earthy spirit of Shakespeare's creation, giving the evening (August 16) its comic and emotional fulcrum. A little more refinement could be achieved in places (the falsetto passages were not ideally sustained), but it's hard to imagine there are many better Falstaffs working on North American stages today."
- Opera News Online, David Shengold. August 2007

"Todd Thomas is a marvelous Falstaff ... Thomas' character is more than a mere buffoon. His sturdy baritone communicates the pathos of a rougish epicurean who has been brought down by the ravages of time. There's something deeply touching in his bulky ruin of a knight singing once of having been a slender page."
- St Petersburg Times, John Fleming. March 25, 2001

"In Todd Thomas we have the perfect pleasure-loving scoundrel whose very obesity enriches his self-image as an irresistible macho seducer. His dark baritone is capable of raging outbursts of temper... or sweetly seductive falsetto ironically eomplyed as he contemplates his cuckolding designs."
- Sarasota Herald Tribune, Florence Fisher. February 13, 2001

The Four Note Opera (by Tom Johnson)
“Todd Thomas' baritone made us weep -- with laughter, as the words they sing, in English (with English supertitles), describe the process of the very production we are witnessing.”
- The Post & Courier